“Barry”Ĭhristian Sprenger: The look of “GLOW” is meant to transport the audience to a grounded realistic setting of 1980s Los Angeles and then at specific times, to the elevated fantasy world of professional wrestling. In Season 2 the show’s look moves in many different directions and we were tasked with creating the spooky dramatic world of “Teddy Perkins” and the grungy 90s flashback world of “FUBU” and this camera and lens package was our technical center point to pivot in those wildly different directions. After much testing, I felt that recipe created the perfect amount of visual tension on which to build the world of our show. Along with a custom LUT and filtration in front of the lens, the Kowa Prominars add a subjective dreamy layer on top of our very gritty world. The Arri Amira was originally intended to be a documentary camera but its size and versatility is perfect for our location-only production. Lens: Kowa Cine Prominar Spherical Primes, Angenieux 45-120mm, Canon 8-64mm (S16)Ĭhristian Sprenger: “Atlanta” is a show about a wonderfully real city and our main intent is to preserve and capture the city’s authenticity. “Atlanta” Producer/director Hiro Murai, Director of photography Christian Sprenger
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